Experiments & Technology
Parallel projects that keep alive what started long before architecture: the need to experiment, learn and try new tools.
GGV
since 2024 · experimental sonar, Rosario
A sonar we build from scratch, from the circuits to the boat that carries it.
GGV is a project with former technical school classmates. We design the electronics, write the programs, print the parts and mill the boards ourselves. We meet once a week at the bench and spend the rest of the week analyzing what we measured.
The idea is simple: the sonar sends a sound pulse, listens for the echo, and from that echo we learn how far an object is and what it may be made of. Move the control below to see how the echo changes with distance.


Time of flight: · Speed of sound:

How it went
- Aug 2026
First live capture: the electronics, still on a breadboard, detect objects up to 1.2 m in air.
- Sep 2026
We chase down the noise, rebuild part of the circuit, and the signal gets much cleaner.
- Oct 2026
We design a new power stage for the emitter.
The GGV catamaran
since 2026 · the boat that carries the sonar
A boat with two 3D-printed hulls, designed to run a survey on its own.
Each hull is 1.3 m long and is printed in sections, then filled with foam so it keeps floating even if pierced. The deck is cut on the CNC, and an aluminum frame joins the two hulls.
The route gets drawn from the shore and the boat follows it by itself. It has not been in the water yet: we test it in a simulator of the Paraná off Rosario, which already helped us find real faults.






These images are not photos
They come from the same files used to build the boat. When a part changes, the images get generated again.




TheUrbanSci
since 2026 · maps made from data
Maps and films of cities, made from real data.
TheUrbanSci is an Instagram account where I explore new ways of showing cities. The rule is simple: the numbers come from data, and whatever is missing or assumed gets said in the caption.
Carousels from satellite data
A series of 146 carousels, one place per post, that turns satellite data into color to read what each territory is like.




Cities in Unreal Engine
In September 2026 I took this work to Unreal Engine. The data stays the same; what changes is how it is shown: with a camera, depth, light and fog, over the real terrain and an aerial photo.




One year of sun
A series that shows four real days of the year in one city: two solstices and two equinoxes, with the sun where it really was. It started with Santiago and continues with Quito.










The workshop
2026 · 3D printing and CNC
Machines I keep repairing, improving and using to try things.
The workshop has 3D printers and a CNC I built in melamine, which also mills the sonar boards. When a part of a printer breaks, I design and print a new one.



Printing as a design material
I also test what can be done by programming the printer directly: vases with folds and twists, and walls with beads and pearls that a normal print would not give.



Roof digitization with AI
2026 · from aerial images to CAD
AI builds a first base; people review it and it ends up in CAD.
Drawing every roof of a neighbourhood by hand takes a long time. With AI, a first base is built from aerial images; it is then reviewed and corrected, and the result is delivered in CAD.

Models you can turn
2025 · Sketchfab
Some models can be opened and turned in the browser.
Click on one to load it and turn it around. The photogrammetry models are in the About page.
ComfyUI
2024 · replacing people in a render
A test on one of our renders, step by step.
One AI pass over the whole image, then the people get changed. It is an experiment, and I always say when AI was involved.






CNC and laser machines
2017–2020 · with Juan Monaco
First a CNC, then an industrial CNC and a laser cutter.
With Juan Monaco we built my first CNC, then an industrial CNC and a laser cutting machine. I was mainly in charge of the control electronics, and Juan of the mechanical structure.
Prixel, a digital fabrication venture from that period, belonged to Juan Monaco and Diego Vázquez; it ran for a few years and then closed.
Prixel ran for some years and closed. Its public profile summed it up as “Mecanización, corte y grabado en madera. Placa entera.” and showed furniture such as stools, a rocking chair and desks. I took part in the machines and appear in that workshop; the venture was theirs.






